“I like to think I’m a reputable source,” he said with a laugh. Whenever Eugene gets a chance, he likes to share his connection to the city. “We never thought of them as guardians particularly but if that keeps the name alive, we’re very happy with that.Īs for the Art-Deco displays that stand watch over the city, so far, they’ve withstood the test of time. “He didn’t get the chance to experience the popularity of it,” Eugene said. Their popularity rocketing to stardom in recent years no thanks to photo-centric apps like Instagram. The bridge, when first opened, was simply known as the Lorain-Carnegie bridge. “I was very proud that they were really recognized as an important part of Cleveland,” Eugene said.īut back then, when the statues were built, it wasn’t always that way. The source: statues that stand in the shadow of Progressive Field. So positive, in fact, that when Cleveland’s baseball franchise, a charter member of the American League, was looking for inspiration for a new nickname, they turned to local infrastructure. “It must be a great satisfaction that he did something that is still recognized as being a positive thing in this world,” Eugene said. The sandstone giants have stood guard over traffic flowing on the Hope Memorial Bridge since 1932. They did the detail work on the faces and the modes of transportation.” “We certainly would tell our friends that when you go to Cleveland, make sure that you see those,” Eugene said. His father, Coriolano Fiocca was one of the stonemasons who helped large the larger-than-life statues, etching himself into history long before the statues carved a home in our hearts. Most recently, they’re the inspiration behind the city’s Major League Baseball team changing its name.īut for Eugene Fiocca, the 43-foot-tall sculptures hold an even heavier meaning. They’re a symbol of strength and a source of pride here in Northeast Ohio. The guardians of transportation standing watch over the city.
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